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A Job is a short crime drama that follows a day in the life of a low level hit man as he carries out one hit. While he is quiet and unassuming, the people that he meets throughout the day are colorful and the encounters range from humorous to disturbing. 'A Job' simultaneously covers familiar ground and subverts expectations while heading towards a climax that is both unexpected and haunting. A Job .... Everyone has one.

Jay is a young slacker who has to get a job in order to receive his inheritance. Rather than physically work, he fabricates an imaginary job in order to convince the attorney in charge of his trust fund.

Unemployed and living with the "mother-in-law from hell", a young comedian and his childhood friend are sucked into the ride of their lives when they decide there is no time like the present to pursue their dreams of opening a comedy club.

A recently unemployed man tries to convince his friends to loan him some much needed cash.

Jean Price is the newly elected, somewhat rebellious Labour MP for an inner-city constituency, and her life in the House of Commons. She's married to Geoff Price, a public defender and carer of many household chores so that Jean can pursue her new career. Jean balances her personal life with parliamentary duties, including 'women's issues', which Jean alternately fights for and is frustrated by, as other MPs think she cares about nothing else due to her gender. She often is surprised by others' duplicity and hypocrisy, holding them to a significantly higher standard.

The senior creative executive at a top advertising agency seems to have it all. But when he takes on a protégée to save a major account, he gets far more help than he bargained for.

After accidentally receiving a boob job instead of a tonsilectomy, an unpopular high schooler immediately becomes the center of attention.

Martha Gellhorn, Ruth Cowan, Dickey Chappelle: Three tenacious journalists who forged legendary reputations as war correspondents during a time when battlefields were considered no place for a woman. Their repeated delegation to the sidelines to cover the “woman’s angle” succeeded in expanding the focus of war coverage to bring home a new kind of story— a personal look at the human cost of war. Featuring an abundance of archival photos and interviews with modern female war correspondents, as well as actresses bringing to life the written words of these remarkable women.

Emmanuelle and Mirra love each other and dream of having a child born only of their love. When Mirra suddenly becomes pregnant, in spite of all biological plausibility, the surprise is total and the joy at its height. For Emmanuelle, however, things are less clear-cut.